流儀の特徴
当流儀は仮想敵に対してと、実際に相手がいて行う術があり、刀操術においては、長いものは短く、短いものは長く、重いものは軽く、軽いものは重くの心持ちで身体の運用をはかる。  刀刃を上にして鯉口を見せずに必殺の抜き付け・斬り下ろし・納刀をする。 奥居合になると鞘離れ・納刀に迅速さが加わり、居合の生命である抜き付け・斬り下ろしに活力がある。 また、当流儀は坐居合と立居合とがあり、坐姿居合には正坐と立膝姿がある。 組太刀においては、当然の約束事の中に真剣勝負の意気込みを持って行うを大事とし、その中での体の運用、間合、刀操を体得する。

Style
Our school style requires imagining the opponent and cutting with a Shinken (real sword). We imagine our enemy in our mind and practice ritual combat with that enemy. When we train with the sword, our school policy is to handle a long sword as if it were short and a heavy sword as if it were light. Our school handles the sword with the cutting edge up as held on the belt, and we do not show the mouth of the sword sheath. We cut as we draw the sword, so the cut is fast, Nukisuke followed by Kirioroshi then Chiburi. One remains eight sun (aprox 24 cm) from the Tsuba when you begin executing Noto, moving to Kissaki three sun (aprox 9.1cm) as fast as possible and completing Noto. Our school Iai Jutsu has sitting positions (Seiza and Tatehiza) and standing Toho. For Kumitachi, it is important to establish an absolute and mutual understanding of the rules, as we engage earnestly with extreme ardor. Throughout our Kumitachi training we earn each movement, learning how to use the body and distance to master our sword technique.